The world premiere. The first recording of Fantasias for flute. The most authentic recording, and also the least stylistically adventurous.http://www.grammaphon.com/recordings/the-world-premiere-of-fantasias-for-flute-the-most-authentic-recording-also-the-least-stylistically-adventurous-discography.htmlTue, 19 Mar 2017 10:37:01 +0000http://www.grammaphon.com/recordings/the-world-premiere-of-fantasias-for-flute-the-most-authentic-recording-also-the-least-stylistically-adventurous-discography.htmlhttp://www.grammaphon.
Decca 8000: The world premiere. The first recording of Fantasias for flute. The most authentic recording, and also the least stylistically adventurous.http://www.grammaphon.com/recordings/decca-8000-fantasias-for-flute-world-premiere-the-most-authentic-recording-also-the-least-stylistically-adventurous-discography.htmlFri, 28 Apr 2017 01:42:41 +0000http://www.grammaphon.com/recordings/decca-8000-fantasias-for-flute-world-premiere-the-most-authentic-recording-also-the-least-stylistically-adventurous-discography.htmlhttp://www.grammaphon.com/recordings/the-world-premiere-of-fantasias-for-flute-the-most-authentic-recording-also-the-least-stylistically-adventurous-discography.html
The world premiere of Fantasias for flute
The earliest modern publication of the Fantasias and probably the most widely used is the 1955 Barenreiter publication edited by Gunter Hausswald, extracted from the sixth volume of Telemann's complete works and the source for many subsequent editions. Unfortunately, the stand-alone edition of the flute fantasias lacks the critical commentary that explains the choices Hausswald made, and he does not always follow the 18th-century print. As a result, an entire generation of flutists is unaware that we have not necessarily learned the notes Telemann intended.
In his autobiography, Telemann mentions having written fantasias for flute, and the consensus is that the printing, of poor quality, is by Telemann himself. The writing is idiomatic for the flute, avoiding double stops, notes lower than the baroque flute's low D, or keys rarely used in flute music of the time.
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